Presented by the Irish Center, the first concert of the New Year will feature two of Ireland,s premier female vocalists:
SUSAN McKEOWN and MARY McPARTLAN
Saturday 10th January 2009 at 8:00 pm
The Commodore Barry Club (The Irish Center) 6815 Emlen St, Philadelphia PA
Tickets are $15, $13 for Ceili Group and Commodore Barry Club members at the door. Questions - call 215-843-8051, 215-248-0502,or emailceiliconcerts@gmail.com
From both sides of the Atlantic New York-based McKeown and Galway-based McPartlan have distinguished themselves in their careers: both have made a lifelong musical journey of their exploration of Irish song, and both share a deep appreciation for a wider song tradition through their work outside of Irish folk. The two met in the summer of 2008 at the Willie Clancy Week in County Clare, and are delighted to share the stage for this performance - McPartlan’s first in the United States.
GRAMMY award-winning vocalist SUSAN McKEOWN left her hometown of Dublin, Ireland in 1990 to take up a scholarship to the American Musical and Dramatic Academy, and settled in Manhattan's East Village. In Ireland she had formed The Chanting House with guitarist John Doyle, and in New York they formed a brief musical partnership with Seamus Egan and Eileen Ivers. In 1993, McKeown began a solo career, and her debut album "Bones" (1995) established her as a powerful vocalist and inventive songwriter. She has since recorded ten albums of original and world music and built an impressive career through her many releases, extensive touring, and performances on programs such as 'A Prairie Home Companion', 'All Things Considered', 'Mountain Stage' and for PBS, 'Sessions at West 54th' and 'American Masters'. Susan's album 'Sweet Liberty' (2004 World Village) was nominated for a BBC Folk Music Award. She has performed with Natalie Merchant, Pete Seeger, Mary Margaret O'Hara, Linda Thompson, Billy Bragg, Johnny Cunningham, Andy Irvine, Kevin Burke, and The Klezmatics, on whose GRAMMY winning album Wonder Wheel: Lyrics by Woody Guthrie, she is prominently featured.
McKeown grabbed both song and audience by the throat, dragged them through heaven and hell and back again, and left the stage to the loudest applause heard all evening. - ROLLING STONE
If there's some dividing line between Celtic traditionalism and eclectic contemporary songwriting, McKeown refuses to acknowledge it. And with a voice as warm, resonant and versatile as hers, why should she? - THE OREGONIAN
MARY McPARTLAN had long established a career in the arts and entertainment industry in Ireland when in 2004 she released her critically acclaimed album The Holland Handkerchief and announced her new career as a professional singer. But it had been in her blood all along. In the early 70s in her native County Leitrim, Mary grew up singing in a musical household: her father Tommy loved the tunes, and her mother Betty was a singer who came from a family of musicians in Plumbridge, Tyrone. Mary moved to Galway where she helped found the Riabhóg Singers Club. As a producer and director of many music and theatre projects, Mary developed the concept of the National Traditional Music Awards on TG4, Ireland’s national Irish language TV station. She is a founding member and producer of the Galway-based theatre company Skehana.
The release of The Holland Handkerchief brought Mary’s formidable vocal talents to a wider audience and established her as a strong presence on the Irish music scene. Her 2008 release Petticoat Loose brought further accolades. This is Mary’s first performance in the US.
Mary McPartlan, the Bessie Smith of traditional music, stilled audiences with her eclectic repertoire and showed the wisdom of planting one foot in the present while the other treads adventurously into the past. THE IRISH TIMES
Blessed with a distinctively evocative and welcoming voice and a strong sense of her own musical personality, Mary and her close collaborator, Shamie O’Dowd of Dervish, have conspired to produce … an incredible debut, and a potential Irish album of the year. - SONGLINES
www.myspace.com/susanmckeown
http://www.susanmckeown.com
www.myspace.com/marymcpartlan
http://www.marymcpartlan.com
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Slide - February 28, 2009
Hailed by Ireland’s RTE, Radio 1 as ‘the future of Irish music,’ the four original, greatly gifted musicians & composers of Slide first came together in 2000 to play at The Cobblestone in Dublin, a night that shook that venue from brick to rafter & has since become known as ‘The Wobble in the Cobble.’ Still with the band today, these four musicians had accumulated numerous awards for individual musicianship; Aoghan Lynch on concertina & whistles, whose cousins are box maestros Seamus & Brendan Begley, was Ireland television station TG4’s Young Traditional Musician of the Year in 1999, Eamonn De Barra on flute, whistles, keyboards & bodhran was winner of that same award in 2000, Daire Bracken was the original fiddler of the famed ensemble Danu & Mick Broderick on bouzouki, cittern & mandolin is a member of notable musical family from East Galway, of which flute player & composer Vincent is perhaps the best known (at the moment). These four recorded to much ballyhoo Slide’s first album, ‘The Flying Pig,’ which led to be their named by Irish Music Magazine as ‘Best Traditional Newcomers’ in 2001, which in doing so declared, They can sing, they can write, they can dance across fingerboards and piano keys, buttons and bows and by crikey can they play.’ With the recent addition of former lead singer of De Dannan & LiveIreland.com’s Male Vocalist of the Year, Andrew Murray from the island of Inishbofin, Co. Galway, Slide are poised to become a tour de force on the world’s Celtic music stages. Winners of the ‘Young Musicwide Award’ in 2006, whose panel of judges was led by Donal Lunny, who wrote, ‘This band is taking Irish music to a new place. Their music will touch people far beyond the realm of traditional music.’ From mesmeric trance to nail biting energy, Slide entice the listener on a journey of musical exploration which will undoubtedly leave you on a high while taking you from sorrowful reflections to points of high spirited in between. As John O’Regan in Folk Roots observed, ‘There’s plenty of action and flamboyance in Slide’s music… takes the Dervish/Bothy Band/De Dannan formula and turns it 360 degrees on its head successfully merging youthful arrogance and swagger with traditional expertise.’ By whatever measurement or calculation –Slide rule!
For more, visit; www.slide.ie Tickets are $15, $13 for Ceili members. Concert information at http://www.philadelphiaceiligroup.org, or call (215) 248 0502.
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Turloughmore Ceili Band - May 16 & 17, 2009
Saturday night will be a concert. Sunday night there will be a Ceili
Clare's Turloughmore Céilí Band are the Jack Dempsey of céilí music: ferociously muscular and unapologetically pugnacious. Their inclusion of Pearl O'Shaughnessy's Barndances is the license they need to give full reign to their spacious, roaming ensemble playing. And that's what sets this céilí band apart: the air pockets that circulate between the downright funky piano introduction of the jig set, Lark in the Morning and The Lilting Fisherman.
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Tune Learning Circle
Don't forget that on the fourth Friday our Tune Learning Circle runs from 7:30 to 9, also at the Irish Center. We will be playing through a number of tunes commonly played at our area’s sessions. Sheet music is available on the Philadelphia Ceili Group website. This is a good opportunity for beginning & intermediate players as well as experienced player picking up a new instrument.
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Singers Session
Sponsored by the Philadelphia Ceili Group
Starting October 1st, 2008 Every 1st Wednesday, 7:30 pm Session run by Terry Kane Join local Irish Singers both of English and Irish tunes. All levels of singers welcome. For More information check website: www.philadelphiaceiligroup.org Or call 215-704-5982 Bring a snack or dessert to share “It will be great craic!” The Session will be held at The Commodore Barry Club 6815 Emlen St. Philadelphia, PA 19119